Netflix has yet to confirm a season four of Lupin, but by the looks of the coda, the writers are ready for it. After all, it’s just a photo in an envelope that he receives. I suppose one must also allow for the slim possibility that Assane has picked out the wrong passage in The Cagliostro’s Revenge and misconnected the dots. Despite being absent for more than half her son’s life, she suddenly turns up at his (fake) funeral without a smartphone? (If you recall, she’s bumbling around Paris with a map when Keller’s partner, Manon, catches up to her.) How? Are we meant to believe mamère has been tracking her son’s movements from Senegal all this time and just happened to read his (fake) obit? And how did she get from Dakar to Paris so quickly? I couldn’t quite shake the feeling that someone was pulling her strings, or at least setting her up as a mark for Keller. And where did he get the start-up capital for this elaborate revenge mission? It feels more than possible someone was bankrolling Keller’s retaliation.Īnd then there’s the problem of Mariama, who gets singled out in the coda. For example, after 25 years incarcerated, how could Keller have known that Assane’s death was fake? The last time we saw the guy, he was running a ragtag youth gang out of a boxing gym now, minutes after being released from prison, Keller’s demanding Assane deliver a Manet that was stolen while he was on the inside. The scene suggests that Pellegrini is a mastermind equal to, or maybe even better than, Assane - that the entire season, from the moment Mariama is introduced, is a Rube Goldberg device designed to put Assane in prison.īecause as taut as season three was, there were some foundational questions of motive and timing that bothered me. Pellegrini, on the other hand, manipulated Assane (and Assane’s father) using his money and influence. Assane was the clever thief, able to outmaneuver Pellegrini. Pellegrini was always a formidable foe for Assane, but the men operated differently. The coda’s meaning is murky, but it has the potential to shift our understanding of everything that happened in season three. What does it mean for what we’ve just seen? It’s directly connected to what we’ve just watched but it’s designed to create buzz and maybe spin out some fan theories for what could happen next. The scene has the overall “oh shit!” effect of a mid-credits sequence. Hubert’s daughter, Juliette, a past lover of Assane’s.Īnd lastly Hubert himself, standing in an identical room in the same cell block - exactly where Assane put him at the end of season two. And thus, you lost any clarity of mind.” As Assane reads from the book, his voice blends with the voices of other characters throughout the years his face is replaced by their faces.Īssane’s mother, Mariama, with whom he has just been reunited.īenjamin, Assane’s loyal partner-in-crime, whom Assane has betrayed. Perhaps you believed I felt it myself, and you ended up truly loving me. In order to trap you and to build up your trust, I welcomed the love you pretended to have for me. (You’ll remember that the first Lupin novel Assane ever read was a birthday present from Babakar, who chose the book from Pellegrini’s library.)Īssane, whose own cell is outfitted with the complete works of Maurice Leblanc, picks up his copy and reads from it: “The riddle was within you. Inside is a photo of young Assane holding a Lupin novel: The Cagliostro’s Revenge. In the final moments of the season, as Assane settles into his cramped prison cell after turning himself into Guédira, he receives an envelope from the cement box next door. Let’s take a closer look.ĭon’t worry, I rewound this scene 15 times so that you don’t have to. In the late ’90s, Keller played Fagin to orphaned boys like Assane now he’s back in Paris to get revenge on the teenager who framed him for killing a cop.īut by the very, very end of season - and I’m really talking the last minute here - we seem to arrive all the way back at the beginning, with a vague and menacing coda that implies Pellegrini’s been tending to his vendetta against Assane from behind bars all this time. To fill his shoes in season three, we get the much less rich and powerful Jean-Luc Keller, an old boxing coach who knew Assane when he was just a kid. Until someone kidnaps Assane’s estranged mother, Pellegrini is the only real big baddie this series has known. They also feel a bit like an extended finale for season two, which ended with Assane Diop skipping town after taking down his archnemesis Hubert Pellegrini, the billionaire who framed Assane’s father, Babakar, and later orchestrated his murder. The first few episodes of Lupin’s third season are extremely slick, propulsive TV. The final moments of season three suggest the continued presence of a mastermind equal to, or maybe even better than, Assane.ĭeep spoilers ahead for the third season of Lupin.
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